Movies
- 1989

The Making of MA in Ryoan-ji
The Making of MA in Ryoan-ji01989HD
"The Making..." showed not only the process of film-making, but also the creation of "MA" as a work.
![The Making of MA in Ryoan-ji]()
- 2023

Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973
Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 197302023HD
In 1973 the Kino Arsenal – then in its Welserstraße location in Berlin-Schöneberg – showed a programme of videos by the...
![Time Tunnel: Takahiko Iimura at Kino Arsenal, 18. April 1973]()
- 1972

Timed 1, 2, 3
Timed 1, 2, 301972HD
Visually, each section of the film is composed of 10-second spans of clear and dark leader, arranged in a progressive fashion so that at first there...
![Timed 1, 2, 3]()
- 2013

KIKAIDE MIRUKOTO = Eye Machine / To See by Chance –The Pioneers of Japanese Video Arts–
KIKAIDE MIRUKOTO = Eye Machine / To See by Chance –The Pioneers of Japanese Video Arts–02013HD
Video began as a medium that inspired discovery. This art documentary traces the expressive roots of “media art” in Japan — works...
![KIKAIDE MIRUKOTO = Eye Machine / To See by Chance –The Pioneers of Japanese Video Arts–]()
- 1966

Iro (Colors)
Iro (Colors)01966HD
First projected onto Jiro Takamatsu's naked back at the legendary Sogetsu Art Center for the performance Screen Play, Colors is an experiment in...
![Iro (Colors)]()
- 1964

My Documentary
My Documentary01964HD
Short film for the "A Commercial for Myself" programme.
![My Documentary]()
- 1981

Circle & Square
Circle & Square01981HD
The 1981 performance Circle & Square by Takahiko Iimura, New York-based Japanese film and video pioneer, evolved from the artist's interest in...
![Circle & Square]()
- 1977

Visual Logic (and Illogic)
Visual Logic (and Illogic)01977HD
Demonstrates the visual logic (and illogic) of sign combining with limited movements of camera for panning and zooming.
![Visual Logic (and Illogic)]()
- 1969

Filmmakers
Filmmakers01969HD
Iimura creates a short self-portrait as well as brief portraits of five of his peers: Brakhage, Vanderbeek, Smith, Mekas and Warhol. In each...
![Filmmakers]()
- 1972

Models: A-1: 2 Min. 46 Sec. 16 Frames
Models: A-1: 2 Min. 46 Sec. 16 Frames01972HD
By using simple systems of counting and measuring in film, Iimura has drawn attention to the complexities of our time perception – memory,...
![Models: A-1: 2 Min. 46 Sec. 16 Frames]()
- 1978

Sync Sound
Sync Sound01978HD
Using the system of academy leader: 10 to 1, the film replaces the number to white space with bip sound (clear leader) gradually until it reaches to...
![Sync Sound]()
- 1966

Why Don't You Sneeze
Why Don't You Sneeze01966HD
labeled in the CCJ as "Why Not Sneeze?", this film has been described as blatantly inspired by Marcel Duchamp’s ANEMIC CINEMA.
![Why Don't You Sneeze]()
- 1967

Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema
Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema01967HD
A program of five films on love and sex from the Japanese underground of the experimental cinema, assembled by avant-garde cineaste Takahiko Iimura,...
![Japanese Erotica: Five Films on Love and Sex from the Japanese Underground of the Experimental Cinema]()
- 1981

I Am A Viewer You Are A Viewer
I Am A Viewer You Are A Viewer01981HD
In "I Am A Viewer, You Are A Viewer" the performer plays the double role of the performer and the audience simultaneously, talking to his own shadow....
![I Am A Viewer You Are A Viewer]()
- 1972

Models: B-2: A Line 1, 2, 3
Models: B-2: A Line 1, 2, 301972HD
Takahiko Iimura's Models Series
![Models: B-2: A Line 1, 2, 3]()
- 1984

Shadowman (The Structure of Seeing and Hearing)
Shadowman (The Structure of Seeing and Hearing)01984HD
A mind-twisting video, meditating on the experience of watching film/video, and of seeing and being seen. Prodded by a succession of riddles, the...
![Shadowman (The Structure of Seeing and Hearing)]()
- 1975

24 Frames per Second
24 Frames per Second01975HD
This film, and in particular the function of sound within it will vary freely from moment to moment, viewer to viewer.
![24 Frames per Second]()
- 1985

Moments At The Rock
Moments At The Rock01985HD
“Moments At The Rock,” shot with an amateur video camera, was made as a free style improvisational film. The camera got strange halations...
![Moments At The Rock]()
- 1970

Kiri (The Fog)
Kiri (The Fog)01970HD
"Shot on 8mm on a mountain in Japan, the abrasive winds that drift the fog in Iimura's Kiri are so fierce we almost believe it to have grazed the...
![Kiri (The Fog)]()
- 1964

Inside & Outside
Inside & Outside01964HD
Short film for the "A Commercial for Myself" programme.
![Inside & Outside]()















