Werner Dütsch Movies

In BLUE-EYED, we join a group of 40 teachers, police, school administrators and social workers in Kansas City - blacks, Hispanics, whites, women and...

Historically, the cinema close-up was initially employed to convey emotions through facial expressions. But soon filmmakers also began focusing their...

Documentary about the first German foreign deployment of German soldiers in Kosovo since the Second World War in 1995.

Excerpts from the novel Donna di Messina (1949 and 1964, 1967) by Elio Vittorini (1908-1966).

Scientific documentary film exposing the cencorship laws in the BRD as an instrument used for propaganda. Its the third part of the "Bundesdeutsche...

Route 181 is the epic record of a road trip undertaken in the summer of 2002 by two filmmakers, one Palestinian and one Israeli, along sections of...

In Italy, immediately subsequent to the war, a group of people who lost all they possessed during the conflict, settle in a village in ruins. They...

Interviews with six of the mass murderers from Sabra and Shatilla. The faces are in black and are not identifiable.

A look at how mall producers design malls in order to maximise traffic and sales.

Documentary film about a journey on the Trans-Siberian Railway from Moscow to Vladivostok.

An introduction to films by Peter Weiss: "Study II" (1952) "Study IV" (1954)" According to the Law" (1957) "Shaded Faces" (1956 ) "What should we do...

An experimental film portraying different skies in very long takes.

Film scholar Helmut Färber discusses Griffith' A CORNER IN WHEAT.

Home movies shot on Super 8mm by W+B Hein over 10 years.

Helmut Färber makes connections between architecture and film

Using one of the Lumière Brothers' first films of workers leaving the Factory as his starting point, Farocki provides an insight to changes in...

Film critic and scholar Helmut Färber recounts the life and work of Robert Bresson

Documentary about the films of John Ford.

How should one define the relationship of documentary film to reality? Does it aim at authenticity or is it rather an “exile of reality”,...

Film critic and scholar analyzes Jean Renoir's two films "Le Testament du docteur Cordelier" and "Le Déjeuner sur l’herbe".